Where the store locator sits on the ad matters
Vistar Media, Omnicom Media and Annalect tested store locators on a portrait pDOOH creative with 7,200 Dutch consumers. Top and bottom beat the middle, a pin icon helped, and naming a retailer split attention. That last finding is the one beauty brands should read twice.
On 23 September 2026, Vistar Media published “The store locator effect”, a study run by its Creative Studio with Omnicom Media and Annalect. It asks a small question that most programmatic DOOH campaigns answer by habit: when a creative tells people where the nearest shop is, does that line do anything, and does it matter where it sits? The answer, from 7,200 consumers in the Netherlands, is yes on both counts. The top and bottom of the ad worked; the middle did not. A familiar location pin and high contrast added lift on top.
The finding that matters most for beauty is a quieter one. When the locator named another brand (a supermarket, a dealership, a retailer), recognition of the advertised brand sometimes fell even while intent held up. Most beauty brands are sold through someone else’s shelf.
What happened
The store locator is the most common use of dynamic creative optimization in pDOOH: the creative pulls in the nearest store for each screen. Vistar’s own framing is that the feature is widely used but little measured, and this study tests placement against a no-locator control. It is a creative study, not a media study. The screen, the scene and the brand stay fixed; only the strip of store information moves.
The full write-up is a web page on Vistar’s site rather than a downloadable PDF. It adds the per-category numbers that the press release leaves out, and it states that adding a locator did not hurt brand or ad appreciation. It also says, to its credit, that the results reflect “the specific screen format, creative executions and advertising environments tested” and should not be read as “a universal rule for every DOOH format or screen”.
What it means for beauty
- The canvas is the salon canvas. The test creative was a portrait 1080×1920 panel, which is the master size we recommend for mirror and styling-station screens. A beauty buyer can apply the placement lesson to that format without translating between aspect ratios. The creative guide for salon and mirror screens already asks for a safe area, because one asset gets cropped and letterboxed across networks. Top and bottom are exactly where cropping bites, so a locator in either spot needs to sit inside it.
- The reseller split is the beauty problem. A skincare or haircare brand on a street screen or a salon screen usually sends people to Sephora, Boots, a pharmacy chain or the salon’s own retail shelf. The study suggests a prominent retailer name can buy intent at the cost of recognition. An established brand may accept that trade. A newer indie brand that is still building recognition, which is exactly the advertiser a salon network often courts, may not. The practical read is to keep the advertiser’s brand dominant and treat the stockist as a small, high-contrast line with a pin, not a co-brand.
- Inside the venue, the nearest stockist can be the venue. On a salon screen the “store” may be the reception shelf a few metres away. That is a locator with no third brand in it, and it is a natural place for a QR code with a reason to scan, because a seated client has the time a passer-by does not.
- Impulse is not the beauty buying mode for most products. The biggest lifts came from sweets and chocolate, which are bought on the spot. Some beauty purchases behave like that (a lipstick, a travel size), but many are considered. We would not carry the 110% figures across to beauty at all.
The caveat that keeps us honest
This measured stated intent after a forced look at a picture, not store visits after a real walk past a real screen. In a live street or salon, the ad competes with everything else in view and most exposures are glances. Compare our note on Intersport’s proximity campaign, which measured actual footfall against control groups: a different and harder kind of evidence. The study is vendor-run, in one country, and the published pages give no cell sizes, confidence intervals or per-category base sizes. We also could not reconcile the overall Retail and QSR figure (9% for bottom placement) with the separate Retail (35%) and QSR (24%) lifts from the published text alone, since the overall chart is an image without its basis stated. Treat all lift figures as directional. No beauty-specific benchmark is drawn from this study; the beauty read-across is analytical and rests on the linked Research and Guides.
Related: DOOH creative spec reference · Creative for salon and mirror screens · QR and O2O attribution · Dynamic creative and dayparting for salon screens · Proximity DOOH lifted store visits 37% · Dynamic creative becomes a reason to buy DOOH